Uncanny X-Men #175

"Phoenix!"
Published November 1983
Writer: Chris Claremont
Pencillers: Paul Smith and John Romita Jr.
Inker: Bob Wiacek


What's Going On?
Dark Phoenix has returned, and she wants to toy with the X-Men before destroying them.  Last issue, Madelyne Pryor transformed into Phoenix and attacked Cyclops.  This issue, she drops him off at the X-Mansion so he can prepare the team for the battle to come.  When she arrives, she easily defeats the team, but chooses to let them live for a while.  She then decides to destroy the Starjammers' spaceship and the entire city of New York (thus killing the Avengers, Fantastic Four, and most of the other Marvel super heroes).  This convinces the X-Men (minus Cyclops and Xavier, who are unconscious in the infirmary) that they must use lethal force when fighting Phoenix, for the good of mankind.  When Cyclops comes to, though, he puts together some clues and realizes that they are not facing Dark Phoenix, but the illusionist Mastermind.  But how can he convince the team that what they see, hear and feel is wrong --- especially since Mastermind can make Cyclops appear to be their enemy? 

Sub-Plots, oh the Sub-Plots!
- The culmination of Mastermind's plot also serves as the last tease that Madelyne may actually be Jean Grey/Phoenix (for a while, anyway).

- The whirlwind romance between Scott and Madelyne climaxes with this elaborate evil scheme that also appears to serve as an X-Men wedding rehearsal dinner.  It's nice to see them get a happily ever after.  I wonder if we'll see these crazy kids again...

- With her new, edgy look, Storm admits that she now controls violent weather with greater ease.

Writing!
My favorite thing about this story is how it pits Cyclops against the rest of the X-Men, and how he manages (thanks to clever planning) to defeat them...if only for a limited time.  It's a statement to Cyclops' skill as a strategist and team leader; that is something that is often overlooked in this era of Uncanny, if only because Storm has taken a more active leading role.

I've really been enjoying the Claremont/Smith run so far, and this issue does a good job of finishing off the Mastermind subplot and puts any questions about Madelyne's similarity to Jean Grey to rest (for now).  With regards to just this single issue, though, I was left a little underwhelmed.  I get Mastermind's motivation --- he wants to destroy the X-Men by ruining their precious morality --- but his plan is dumb and his execution sloppy.  And why act now, instead of back in Japan?  It's still entertaining, but the logic is lacking.

Art!
This is Paul Smith's last issue of Uncanny for a good long while, and he goes out on on a high note.  His fight scenes are fluid and crisp, and he handles the illusions well.  I especially like his version of Phoenix, with the glossy long locks.

This issue also marks the first pencils from John Romita Jr. on an X-Men title (EDIT 07/30/2016: JRJR first drew the team in Uncanny X-Men Annual #4 from 1980  My bad).  It is interesting to see the distinct differences between Smith and Romita, because it is all the more stark with Bob Wiacek inking both, and with them both drawing the same characters.  Romita Jr's work is rougher around the edges than Smith's, but it fits the danger in this issue well.

Retrospectively Amusing:
- Cyclops has a near death experience after being burned by Phoenix.  However, he was never really injured at all; it was all just an illusion.  So...was he really that close to death, or is his subconscious just overly dramatic?
 
- So it is pretty clear at this point that Wolverine's wedding was ruined due to Mastermind's intervention, right?  Well, maybe for the readers; the X-Men appear to not know that, despite Storm clearly remembering the time she saw a Phoenix image in the Japanese sky.  All we get is Wolverine glaring during Cyclops' wedding ceremony and absolutely no direct reference to Mastermind in Japan.  In other words, Cyclops once again gets the girl and Wolvie gets heartbroken (cue sad trombone).

- I think it's funny how many people come to Scott and Madelyne's wedding, especially given the fact that Scott was raised an orphan and Madelyne has no family or friends.

Worth Noting:
- Paul Smith's next issue of Uncanny X-Men will be #278, more than 100 issues from now.

- Cyclops and Madelyne Pryor get married at the end of the issue.

Daredevils #10

"The Sound and the Fury"
Published October 1983
Writer: Alan Moore
Penciller: Alan Davis
Inker: Alan Davis


What's Going On?
Picking up at last issue's cliffhanger ending, The Fury attacks Captain UK.  After some intervention from Merlin (see the Sub-Plots), Captain Britain comes joins in the fray, along with members of the Special Executive.  They don't stack up well against The Fury.  Wardog is immediately crippled; The Fury tears off his cybernetic arm. 

Legion, whose ability is to summon future versions of himself from his own timeline, has one of his future selves murdered.  Captain Britain survives a beating, but only because The Fury directed its attention to the others.  Things don't look good; Cobweb announces that the future of the multiverse has been cancelled.

Sub-Plots, oh the Sub-Plots!
- Merlin and Roma continue their game of chess.  The appearance of The Fury on the game board takes them by surprise and, when he senses The Fury's imminent attack, Merlin protects Captain UK's real body by shielding her chess piece with his hands.  She survived a deadly blast unscathed, and Merlin's hands were badly burned as a result.

- Cobweb, the precognitive member of the Special Executive, starts seizing and foaming at the mouth as The Fury begins to attack.  She repeats "I didn't see it coming," over and over again.

- Zeitgeist refuses to join the battle because he was not hired to fight.

Writing!
The Merlin/Roma metafictional subplot is interesting, but I'm not really getting much enjoyment out of it.  I get it, Merlin is playing chess with human lives; making it a literal game for him is clever, but I don't think it really adds much to the story. Aside from that, Moore does a great job cranking up the tension.  One of the hardest things for a comic writer to do is to make the hero look hopelessly outmatched, and Moore makes it look like CapBrit ans co. are about to die.

Art!
Alan Davis keeps getting better, month after month.  Here, he gets to flex his experimental muscles a bit with Cobweb's monologue and it is pretty great.  

 (Note: two-page spreads are hard to scan properly)  Not only is the recurring Fury face repeating across this scene interesting, the 90-degree rotation of Cobweb's head along with the action of the scene was very cool.

Retrospectively Amusing:
- The revelation that Legion and Cobweb are lovers seemed a little out of left field.  Since neither character made the transition to Excalibur as part of the Executive Elite, I wonder if this is ever mentioned again.

Worth Noting:
- This is the first time we see Merlin and Roma's chess game directly impacting reality.

- The future version of Legion was killed by The Fury, but the current version lived.  The implication of this is that one day soon, current Legion will become future Legion and blink out of existence, which is a cool idea, right?

New Mutants (Vol. 1) #8

"The Road to...Rome?"
Published October 1983
Writer: Chris Claremont
Penciller: Sal Buscema
Inker: Bob McLeod


What's Going On?
The team continues its Brazilian vacation with Nina DaCosta, exploring an uncharted tributary of the Amazon River.  During one of their shore excursions, they encounter a group of aggressive female Native Brazilians and decide to capture one.  When Nina tries to interrogate the captured girl, Amara, she gets a lot of conflicting information; the girl does not appear to speak any recognizable language, some of her weapons are from far away lands, and one of them is surprisingly modern.  Meanwhile, Sebastian Shaw and Emmanuel DaCosta have a crew member on the boat that has been charged with ruining the expedition.  He does this by knocking out the New Mutants, Amara, and Nina; he apparently kills the rest of the crew and steers the boat down a waterfall.  After the boat crashes, the New Mutants all make it to shore, but Roberto's mother is missing.  Amara also survived, but it turns out that she was not really an indigenous person; she was a white blonde that was disguised as a Native. 

 

And then, on the shore, the survivors are confronted by the Roman Legionnaires, who decide to enslave them.  

Sub-Plots, oh the Sub-Plots!
- Cannonball has learned how to make turns while blasting.  It apparently happened off-panel between issue 5 (when he last lamented his skills) and now.  So much for that sub-plot.  I don't think it ever really comes up again.

- Speaking of the team's continuing development, Psyche has developed the ability to project specific thoughts instead of just someone's fears.  Here, she uses Rahne's memory of snow to cool her down.

- Professor Xavier is still teaching Team America?!?  I am 99% certain this is the last time this is mentioned in any X-book.

- Professor Xavier continues to encourage the team to assume that Karma is dead.

- Rahne is still sensitive about people's reaction to her mutant power.  She pours her heart out to Amara, assuming that she does not understand English.  When she learns otherwise, she is pretty upset.

Writing!
The poor writing continues with this issue.  Even ignoring the bizarre choice to have Sam and Dani capture Amara, or the completely illogical decisions made by Shaw's saboteur, this is an issue that ends with the Roman Legion showing up in the middle of the Amazonian rain forest.  There is no payoff on Earth that will make this ridiculous moment worthwhile.

Art!
The saving grace of the art in this issue is, once again, Bob McLeod's inks.   The action isn't too impressive in this issue, but there are some solid character moments.

Retrospectively Amusing:
- So this issue's action hinges on the choice to kidnap a Native Brazilian that was minding her own business, until Cannonball and Psyche ran into her.   Sure, they fought, but she was basically defending herself.  It's an odd choice for teenagers to make, but it's even weirder that none of the adults on the ship are shocked or tell them this is a terrible idea.

- Emmanuel DaCosta has a super-villanesque hidden map behind a wall in his home.  I love that this revelation receives zero comments from Sebastian Shaw.

- Sebastian Shaw's operative that is trying to ruin the expedition makes some bizarre choices.  First, he knowingly risks Psyche's life by attracting piranhas to the boat while she was swimming.  Then, he sticks up for the New Mutants when the rest of the crew considers mutiny when they realize there are mutants on their boat.  After that, he tries to beat information (what information?) out of Amara.  Later, he causes the shipwreck and murders some of the crew members...but not everyone. 

Worth Noting:
- As far as I can tell, this is Team America's last appearance for a while.  According to the Marvel Wikia, they next pop up in The Thing #27, almost two years after this issue.

- This is the first appearance of Amara, AKA Magma, AKA the girl who was apparently wearing body paint and hair dye to pass herself off as a Native Brazilian.

- It looks like Rahne will fall victim to the ongoing "beat the women easily" trend in this title, but she recovers nicely:

 

It's not exactly empowerment, but it is one of the better instances of a female character holding her own in battle in The New Mutants.

Uncanny X-Men #174

"Romances"
Published October 1983
Writer: Chris Claremont
Penciller: Paul Smith
Inker: Bob Wiacek

What's Going On?
This is one of those "juggle the sub-plots" issues.  The only "main" plot here deals with Cyclops and Madelyne Pryor.  They get engaged and consider leaving Earth to join the Corsair and the Starjammers in space.  Before they can make that decision, though, Cyclops asks Madelyne point-blank if she is the reincarnation of Jean Grey/Phoenix.

Her response seems pretty definitive, but the illusionist Mastermind made an appearance just before this, so is everything what it seems?  Well, no, probably not.

Sub-Plots, oh the Sub-Plots!
- Carol Danvers / Binary is joining the Starjammers, and will be in deep space with them for the foreseeable future.

- Lilandra and Xavier discuss their future.  She still plans to join the Starjammers in space and he still plans to stay on Earth and run his mutant teams.

- Xavier is still having difficulty walking.  Lilandra confirms that the problem is not mental, but physical.  That seems like an odd and less interesting choice, right?

- Corsair repeats his offer to have Cyclops join him and the Starjammers (last mentioned back in Uncanny X-Men #167), but Scott is having second thoughts, probably (but not explicitly) due to his increasingly serious relationship with Maddie.

- Wolverine confronts Mariko about calling off their wedding.  She basically tells him that she loves Logan the man, not Wolverine the beast.  In addition to insulting Wolverine, Mariko has also forgiven Silver Samurai and he is now her heir.  Since the man vs. beast idea seemed to have been resolved with the Wolverine limited series, I'm a little confused with Claremont's direction here.

- Kitty Pryde and Peter share another kiss, and this time, it's not because they think they will die.  The sexual tension is mounting...

- Storm got rid of all the plants in her bedroom, as yet another "subtle" hint as to her physical and mental change. You might have thought that the mohawk and leathers were the end result of her changes, but apparently Storm isn't done changing yet.

Writing!
Chris Claremont does an impressive job juggling sub-plots here.  The main plot doesn't get much attention until the end of the issue, but there are a lot of quality character beats here.  After the emotional turmoil of last issue, this is a good "calm before the storm" issue, especially since next issue will be an over-sized anniversary event.

Art!
Paul Smith has already shown that he handles character moments well, and this issue plays to that strength.  

Retrospectively Amusing:
- Nightcrawler, who has been shown as a stuffed animal before (back in Uncanny X-Men #168), receives a stuffed version of his girlfriend, Amanda Sefton.  It's a cute idea, but who is making these custom stuffed animals?

- Nightcrawler is identified as the team's medic.  Apparently, Moira MacTaggert and Xavier are not qualified?


Worth Noting:
- Xavier notes that Madelyne Pryor's mind is closed to him.  He comments that it is unusual, but doesn't seemed too concerned about it.  Rogue's mind is closed because she has multiple personalities (one part alien, too) and the helmets of Magneto and Juggernaut protect them, but I don't know if Xavier has ever had trouble reading a supposedly "normal" brain before this.

- Kitty's power set is expanding.  This issue shows her phasing someone else through a wall with her and having them walk on air together.

- Cyclops and Madelyne Pryor get engaged off-panel in this issue.

Everything 80s:
- Kitty is reading Marvel's Star Wars comic in this issue.  The back cover appears to be a Kool-Aid ad.

- Marvel felt the need to take up an entire page of space to justify their change in cover format.  They sacrificed a page of ad space to say, "Look, we have slightly more artwork space now!"  The 80s were a different time...

Daredevils #9

"Waiting For the End of the World"
Published September 1983
Writer: Alan Moore
Penciller: Alan Davis
Inker: Alan Davis


What's Going On?
Jim Jaspers makes a televised speech that portrays super-heroes as dangers to the world at large; Linda (Captain UK of Earth 238) explains that he made the exact same speech on her world as a precursor to the wholesale slaughter of all superhumans.  Captain Britain tries to console her and convince her that this world will not suffer the same fate, but she doesn't believe him (in part, perhaps, because Betsy Braddock has a premonition of the impending slaughter) and leaves Braddock Manor...only to come face-to-face with the Fury.

Sub-Plots, oh the Sub-Plots!
- Merlin and Roma are playing a chess game, with the major characters in this story acting as the chess pieces.  It turns out that the Fury is not on the game board, though, so events may not turn out as Merlin has planned...

- Jim Jaspers takes a moment to change his white wine to red, indicating that he has the same reality-altering powers as his Earth 238 counterpart.

- There are tensions brewing within the Special Executive.  While Wardog is concerned with a possible superhero holocaust, Zeitgeist is only interested in getting a paycheck.

- Betsy Braddock's boyfriend, Tom, is still urging her to abandon her brother and go somewhere less violent.  Since we know that Betsy eventually joins the X-Men as Psylocke and I've never heard of Tom in any X-title, I'm going to make a wild guess and say Tom won't have a happy ending here.

Writing!
This is yet another issue where Alan Moore manages to do a lot with only a little space.  I thought that the Merlin chess scenes were trying to be a little too clever, but Moore balanced that out by having the Fury throw a monkey wrench in that game.  Other than that, we see progression with Linda, the growing conflict within the Special Executive, the growing danger from Jaspers, and a cliffhanger with the Fury.  That's a lot for one half-issue!

Art!
I liked how Alan Davis chose to handle Jim Jasper's reality manipulation with the wine.  It's simple, but it's just another example of how well he works with subtle facials expressions.  And that last page...considering that neither character is exactly iconic, it's a damn nice panel.  I think the best example of Davis' work on this issue, though, is Betsy's premonition.  It's nothing huge or splashy, but showing her premonition within the silhouette of her profile is a very nice touch.

Retrospectively Amusing:
- It looks like Merlin and Roma are hanging out in a cosmic jacuzzi during the chess game.  I guess you can play chess wherever you want to, but it does look strange that the father (Merlin) is at least partially unclothed and the daughter (Roma) appears to be jacuzzi-ing with her normal outfit on, right?

Worth Noting:
- Jim Jaspers specifically mentions the Presidential pardon from Incredible Hulk #278, and Henry Peter Gyrich and Sebastian Shaw both make cameos.  This is the first evidence that A) ties Captain Britain to the X-Men titles and B) Marvel UK/Earth 616 is still the same as the prime Marvel universe; yes, CapBrit had made some appearances in the Marvel Universe before (Contest of Champions, Marvel Team Up) and his original self-titled comic did have a few American heroes guest-star, but Alan Moore could have easily changed what reality Marvel UK inhabited when Merlin brought CapBrit back from the dead and returned him home.  So, now we have proof that these stories can impact the Marvel Universe as a whole, and an indication that Alan Moore liked Chris Claremont's Uncanny X-Men run.

- While she has been mentioned earlier, this is the first appearance of Vixen.  It turns out that she's a woman, which will surprise Captain Britain and his friends, who somehow concluded that someone named "Vixen" had to be male.

New Mutants (Vol. 1) #7

"Flying Down to Rio!"
Published September 1983
Writer: Chris Claremont
Penciller: Sal Buscema
Inker: Bob McLeod

What's Going On?
After last issue's final page explosion, the dust has settled and the New Mutants are all okay.  Except for Karma, who has disappeared and is presumed dead; it's been a few days since the explosion and there is still no trace of her, which certainly doesn't bode well.  Sunspot's mother, Nina DaCosta, arrives at the scene to console her son and to invite the entire team to Rio de Janeiro, to accompany her on an archaeological expedition.  Because nothing takes your mind off the recently deceased like uncovering the remains of the long-deceased.  The team leaves for Brazil and witnesses the marital discord between Sunspot's cold, capitalistic father, Emmanuel DaCosta, and the environmentalist/liberal attitude of Nina.  She takes the kids out to see the sights of Carnival, but Nina is kidnapped by members of the Hellfire Club while the team is shopping.  The team works together to fight off the basic Hellfire goons and Axe, a hired thug who wields a large (you guessed it!) axe, and they manage to save Nina DaCosta.

Sub-Plots, oh the Sub-Plots!
- Professor Xavier confides in the X-Men that he is confident that Karma is alive because his psychic link to her would have sensed something as catastrophic as death.  However, he cannot psychically detect her.  He senses the residue of a "malefic psychic entity" that he fears has played a part in her disappearance.

- Axe and the Hellfire goons were working on behalf of Sebastian Shaw and Emmanuel DaCosta.  Emmanuel does not want Nina's expedition to succeed, so the kidnapping was Shaw's attempt to help Emmanuel and curry favor with him.  Since this plan failed, Emmanuel has already taken steps to sabotage the expedition; he seems unconcerned with the lives of his wife and child.

Writing!
Wow.  Just...wow.  I didn't thing Chris Claremont's writing could get less logical than the last few issues, but this issue is very impressive in that regard.  The team, who are all mourning, are all able to dismiss their melancholy  by dancing with bikini-clad Carnivale-goers?  Sure, why not?  Xavier believes that Karma is alive, but implies to the New Mutants that she is dead?  Why wouldn't he?  Emmanuel DaCosta is a prime target for Sebastian Shaw to turn into a Hellfire Club inner-circle member because his son is a powerful mutant; naturally, Shaw is perfectly fine with Emmanuel possibly risking the life of his son in an effort to stymie his liberal wife.

My biggest surprise when rereading this was the fact that Claremont doesn't take this opportunity to have the characters reflect on how dangerous super-heroing can be.  

This is yet another issue of The New Mutants where Claremont clearly doesn't care.  The character progression is minimal, the removal of a main cast member (and the apparent team leader, to boot)
was surprisingly casual, and the villain was hilariously shallow.  The change of location promised to be interesting, but amidst the rest of the crap in this plot, it just feels forced.  I keep hoping for more well-developed plots and characters, but issues like this make that seem like a remote possibility.

Art!
After last issue's ugly inking, Bob McLeod returns to smooth out Sal Buscema's angular pencils.  It's not the prettiest work you'll see --- Buscema wouldn't know subtlety if it bit him on the ass --- but the facial expressions in most scenes are actually pretty good.  Considering how ridiculous the story is here, that is pretty remarkable.

Retrospectively Amusing:
- Xavier is confident that Karma is alive, but leads the New Mutants to believe that she is dead.  Why?  Because he thinks that a powerful villain is involved in her disappearance and doesn't want the New Mutants nearby if the villain decides to strike again.  So, this is essentially the same set-up as last issue, where a teammate was in the clutches of a deadly villain that Xavier assumed was out of their league --- only this time, Xavier is nipping the situation in the bud by lying to the kids so they don't attempt a rescue.  Tough, but I suppose this might be a job for the X-Men.  Too bad they're helping the New Mutants look for Karma's remains, instead of trying to track down the villain.  All in all, Xavier is admitting that a baddie captured Karma and isn't trying to find her.

- Storm laments the missing Wolverine, whose tracking abilities would have proved handy in tracking Karma.  Sure, Wolfsbane can track, but Wolverine is a more experienced tracker, so the decision is made to not try to track Karma at all.  That makes (zero) sense.  Note: this comes after Storm requested Wolfsbane help out the X-Men with her tracking abilities in Uncanny X-Men #169. Yes, both issues were written by Chris Claremont. 

- The editor's note explaining why Wolverine is not around refers to his limited series, which ended nine months before this issue was published.  In Uncanny X-Men #172, the editors indicated that Wolverine's wedding drama occurred after the events in this issue, so I'm thinking that was just a well-meaning mistake on the part of editorial.

- Like the Silver Samurai did a few issues ago, Axe is able to deflect Cannonball's flight path by swatting him.  Sam is seeming less like a "cannonball" and more like a "baseball" lately.

- Axe. Wow.  Between the stupidly simple name, the fact that he doesn't actually hurt anyone with his trademark weapon, the phonetically-spelled "black" dialogue, and his ill-defined abilities (he's a mutant that has the power to...purchase an axe?), this is just a terrible character that tries to capitalize on the popularity of Mr. T and absolutely fails.

- As the above scene shows, we have yet another issue where a female character is easily dispatched by a physical attack.  Dani manages to beat up a Hellfire Club goon later, but getting knocked off her feet by a backhand slap is pretty bad.

- I LOVE the fact the Hellfire Club thugs are afraid of ghosts.  I especially love the fact that these ostensibly hardened soldiers (I'm assuming the Hellfire Club would only hire the best) know about the local ghost stories in Brazil.  That seems likely.

- Remember how warm and supportive Emmanuel DaCosta seemed in Marvel Graphic Novel #4?  Yeah...so much for that, I guess.

- At the end of the issue, Emmanuel DaCosta and Sebastian Shaw are discussing the kidnapping attempt and Emmanuel states that the plan's failure was not persuading him to join the Hellfire Club.  Back in New Mutants #2, Shaw stated that DaCosta was a member of the Hellfire Club --- he just wasn't a part of the secret Inner Circle.  So let's just assume that, in this issue, Emmanuel is referring to joining the Inner Circle.  The entire point in getting Emmanuel to join the Inner Circle was for Shaw to have more influence on Roberto, so that he would eventually join forces with the Hellfire Club.  And yet, Shaw, a ruthless businessman, appears to be ambivalent for the safety of this potential asset.  When Emmanuel implies that his wife and child may be hurt or killed, Shaw doesn't seem to care --- so, he's recruiting Emmanuel to get to Roberto, but doesn't care if Roberto lives or dies.  Got it.  That makes sense.

Worth Noting:
- This issue marks the first appearances of Axe and Nina DaCosta. 

- Karma is officially no longer on the team, as of this issue.  Let's see how often she is mentioned by the team while she is gone.

Everything 80s:
- We have another Magnum PI reference in this issue!  It's pretty useless, but it's there!