New Mutants (Vol. 1) #13

"School Daysze"
Published March 1984
Writer: Chris Claremont
Penciler: Sal Buscema
Inker: Tom Mandrake
Cover Artist: Bret Blevins (the Marvel Wiki says Tom Mandrake is the sole cover artist, but Blevins' style is pretty obvious and his signature is visible under the UPC)

What's Going On?
Finally back at school after their South American adventures, Professor Xavier and the New Mutants welcome Amara to her new home.

Sub-Plots, oh the Sub-Plots!
- Roberto flirts with Amara,which makes Danielle a little jealous.  I believe this never goes anywhere.

- Sam also tries to flirt with Amara, but his attempt is clumsier and less successful.

- Kitty Pryde and Doug Ramsey hack into Project Wideawake and clumsily control a Sentinel for a few moments, until the Wideawake folks force it to self-destruct.

- Kitty talks to Doug briefly about her parent's divorce.  This is the first time she has mentioned it since Uncanny X-Men Annual #6.

- The New Mutants are rude to Kitty Pryde, reviving the "X-Babies" feud that had not really been an issue for the team until now.

- Kitty Pryde worries about her relationship with Colossus, wondering if she may wind up falling in love with Doug Ramsey, with whom she has much more in common.

- Xavier suffers yet another blow from the as-yet-undefined psychic scan, as he did in the last two issues of Uncanny.

- Xavier and Lilandra have a long-distance holographic conversation, and it appears to be the last time we will see Lilandra for a while; she is going beyond communications range with Earth, so we probably won't see her for a while.

Writing!
This might be my favorite issue of New Mutants to date.  It's an issue spent entirely on character building, and it works pretty well.  When I realized that this was going to be yet another issue spent discussing how little control Amara has over her powers, I was disappointed.  However, despite the lack of any major action sequences, this issue finally felt like a sister title to Uncanny X-Men.  The action has not picked up, but it was nice to see these characters get a much-needed opportunity to expand a bit.

Art!
Well, it's more Sal Buscema, and he's given less to do than usual.  It's not that Buscema cannot handle character-based scenes, but he tends to make them a bit melodramatic.  It's not bad by any means, it just feels uninspired.


Retrospectively Amusing:
- Despite the cover of this issue, Kitty and the New Mutants do not have a major showdown (and she never wears a costume with that color scheme).

- It's the first issue back at the X-Mansion since Karma disappeared.  I wonder if any of the New Mutants will ask how Xavier's search for her is going...no?  Okay, I guess we're just assuming she is dead now, but it's okay because she has been replaced by a blonde babe now.

- Professor Xavier explains how much he respects privacy to Amara, stating that he will not use his psychic powers to pry in her mind.  The very next page has Xavier deciding that he had better remain in constant psychic contact with Amara.  Granted, he is completely justified in wanting to keep her from causing an accidental earthquake; I just love that those two panels are so close together in the story.

- According to Henry Peter Gyrich, Sentinels cost around five million dollars.  While I don't have $5m, that seems like a pretty reasonable price tag for giant walking arsenals with artificial intelligence.

- Gyrich makes a valid point, stating that the hacking of Project Wideawake is an attack on the federal government.  I'm going to hazard a wild guess that this concept never really causes and problems for Kitty or Doug.

- Xavier mentions the events of Marvel Team-Up Annual #6, which saw Sunspot and Wolfsbane get infected by the drug that created Cloak and Dagger.  That issue was released in October 1983, and this is the first time anyone in this comic has acknowledged those events.

- While both Sam and Rahne feel pretty stupid in computer class, Xavier chooses to help only Sam, even as he wonders how to convince Rahne that she's not dumb.

- When Amara asks if being a mutant is something to be ashamed of, Rahne answers in the affirmative and no one disputes it.

- There is a promo for the upcoming Beauty and the Beast at the end of this issue, promising  a February release.  Since the general newsstand practice was to have a publication date two months after the actual street release date, that means that this issue (ostensibly released in January 1984, but dated March 1984) was promoting a title for release in the following month.  Beauty and  the Beast was eventually given a release date of December 1984.

- I love the last panel of the issue.  Xavier being ever-so-chipper in the face of failure is cute, especially when you consider latter-day retcons that made him into a completely manipulative asshole.

- In her second appearance, Valerie Cooper is mentioned by name but has no speaking lines.  Clearly, a solid attempt at building an independent female character!

- Stevie Hunter's role seems to be expanding.  For a while, she was the gymnastics teacher for the kids.  Now, her role has expanded so that she can "help Charles work with all you kids."  That makes it seem like her role will be expanding in this title, but I don't belive that is actually true.

Worth Noting:
- Future New Mutants penciler, Bret Blevins, gets his first crack at the characters with this cover.

- Amara finally gets her code-name, Magma

- This is the first appearance of Doug Ramsey, although he looks a bit more rugged and handsome than he is typically drawn in later appearances.

- Rahne refers to Moira MacTaggert as her godmother in this issue; this is the first time a formal relationship has been suggested between the two characters.

Everything 80s:
- The 80's were absolutely ADORABLE with their video games that came in 8 different console versions! 

Uncanny X-Men #177

"Sanction"
Published January 1984
Writer: Chris Claremont
Penciller: John Romita Jr.
Inker: John Romita Sr.
Cover: John Romita Jr.

What's Going On?
Mystique is focused on taking down the X-Men, to the point of training herself and her team at Arcade's Murderworld so they can better anticipate their foes.  That training pays off an unspecified amount of time later, as they ambush Colossus and seriously injure him.

Sub-Plots, oh the Sub-Plots!
- Nightcrawler asks Amanda Sefton about his early childhood, as a way to determine what connection he might have with Mystique.  Amanda does not have much information to offer, so Nightcrawler decides to ask his foster mother, Margali, about it the next day.

- Mystique makes some oblique references to Destiny, regarding her relationship to Nighcrawler.  Nothing definite is said, but she could not bring herself to "kill" Murderworld's Nightcrawler robot; she was able to kill Rogue without hesitation.  Clearly, he is important to Mystique.

- Kitty is still upset over Storm's punk rock makeover.

- Lilandra and the Starjammers finally leave to battle for the throne of the Shi'ar empire.  Lilandra and Xavier still pledge their love to each other.

- Kitty mentions Doug Ramsey to Colossus; this is the first time Peter has had anything approaching a rival for her affections.

Writing!
This is another fun issue from Claremont.  It's always interesting seeing hypothetical situations that would kill our heroes, so it was pretty cool seeing what Claremont saw as legitimate mortal threats to the team in this issue's Murderworld scene.  I don't know how plausible the kills are --- Colossus, Rogue and Wolverine all "died" under what I consider unlikely circumstances, and Storm's "death" required a very unique piece of equipment --- but it is still interesting to see some of the team's weaknesses.  It was also interesting to see Colossus given a legitimate physical threat for the first time in this series.

Art!
John Romita Jr. is inked by his father, the legendary John Romita Sr. in this issue, and it's an interesting look.  I think Romita Sr. has an appealing old-school style to his inks --- his work on Colossus's face is very reminiscent of his work on Amazing Spider-Man, circa 1975 --- but I'm not a huge fan of how he smooths out Romita Jr.'s lines.

Peter...Parker?

Romita Jr. is at his best with brutal action scenes (although he does very good character work), and his father's more polished approach reduces some of JR Jr.'s impact.  That doesn't stop the pair from creating one of the all-time best Colossus panels, though.

Retrospectively Amusing:
- In Murderworld, Mystique kills Wolverine by slashing his throat.  I actually laughed out loud when I saw that.  Before Paul Cornell's run on Wolverine, I think it had been 20 years since Wolverine would have been stopped by something as minor as a fatal neck wound.

- Apparently, the skulls on Mystique's outfit can transform into weapons.  I don't know if this is ever used in another X-Men comic.

- I've read a few articles about Chris Claremont's alleged plan for the Mystique/Nightcrawler mystery, and while I have no doubt that Claremont considered it --- you can read more about it here, but the gist is that Mystique is the father and Destiny is the mother of Nightcrawler --- I am confident that it was not always his plan.  Not in this issue, at least.  Why not?  1) When they argue, it seems more like an employer/employee fight than a quarrel between lovers 2) Destiny is about as ancient as Aunt May, and is too old to have birthed Kurt 3) Destiny refers to Kurt as "Nightcrawler" instead of his given name, despite Mystique knowing his name back in the "Days of Future Past" storyline 4) Mystique states that the X-Men have her child --- singular --- and is referring to Rogue.

- Havok does not get a line in the farewell to Corsair.  It's not like he has been in a lot of issues lately, but Havok has not had any dialogue since Uncanny X-Men #163.

- Stevie Hunter alert!  She acts as a sounding board for Kitty's whining about Storm.  This is her first appearance in the X-titles since New Mutants #4.

Worth Noting:
- According to the Murderworld scene, Mystique can imitate Wolverine's sharp claws.  That means that she can imitate more than a person's basic appearance.  How far that can go, we don't know...yet.

- This issue has the first mention of Doug Ramsey, although it will be another month or two before he makes his first appearance.

- This issue's contribution to Assistant Editor Month is a one-page gag about the Official Marvel Handbook.  It's not very funny, but at least it's only one page instead of an entire issue, right?

Uncanny X-Men #174

"Romances"
Published October 1983
Writer: Chris Claremont
Penciller: Paul Smith
Inker: Bob Wiacek

What's Going On?
This is one of those "juggle the sub-plots" issues.  The only "main" plot here deals with Cyclops and Madelyne Pryor.  They get engaged and consider leaving Earth to join the Corsair and the Starjammers in space.  Before they can make that decision, though, Cyclops asks Madelyne point-blank if she is the reincarnation of Jean Grey/Phoenix.

Her response seems pretty definitive, but the illusionist Mastermind made an appearance just before this, so is everything what it seems?  Well, no, probably not.

Sub-Plots, oh the Sub-Plots!
- Carol Danvers / Binary is joining the Starjammers, and will be in deep space with them for the foreseeable future.

- Lilandra and Xavier discuss their future.  She still plans to join the Starjammers in space and he still plans to stay on Earth and run his mutant teams.

- Xavier is still having difficulty walking.  Lilandra confirms that the problem is not mental, but physical.  That seems like an odd and less interesting choice, right?

- Corsair repeats his offer to have Cyclops join him and the Starjammers (last mentioned back in Uncanny X-Men #167), but Scott is having second thoughts, probably (but not explicitly) due to his increasingly serious relationship with Maddie.

- Wolverine confronts Mariko about calling off their wedding.  She basically tells him that she loves Logan the man, not Wolverine the beast.  In addition to insulting Wolverine, Mariko has also forgiven Silver Samurai and he is now her heir.  Since the man vs. beast idea seemed to have been resolved with the Wolverine limited series, I'm a little confused with Claremont's direction here.

- Kitty Pryde and Peter share another kiss, and this time, it's not because they think they will die.  The sexual tension is mounting...

- Storm got rid of all the plants in her bedroom, as yet another "subtle" hint as to her physical and mental change. You might have thought that the mohawk and leathers were the end result of her changes, but apparently Storm isn't done changing yet.

Writing!
Chris Claremont does an impressive job juggling sub-plots here.  The main plot doesn't get much attention until the end of the issue, but there are a lot of quality character beats here.  After the emotional turmoil of last issue, this is a good "calm before the storm" issue, especially since next issue will be an over-sized anniversary event.

Art!
Paul Smith has already shown that he handles character moments well, and this issue plays to that strength.  

Retrospectively Amusing:
- Nightcrawler, who has been shown as a stuffed animal before (back in Uncanny X-Men #168), receives a stuffed version of his girlfriend, Amanda Sefton.  It's a cute idea, but who is making these custom stuffed animals?

- Nightcrawler is identified as the team's medic.  Apparently, Moira MacTaggert and Xavier are not qualified?


Worth Noting:
- Xavier notes that Madelyne Pryor's mind is closed to him.  He comments that it is unusual, but doesn't seemed too concerned about it.  Rogue's mind is closed because she has multiple personalities (one part alien, too) and the helmets of Magneto and Juggernaut protect them, but I don't know if Xavier has ever had trouble reading a supposedly "normal" brain before this.

- Kitty's power set is expanding.  This issue shows her phasing someone else through a wall with her and having them walk on air together.

- Cyclops and Madelyne Pryor get engaged off-panel in this issue.

Everything 80s:
- Kitty is reading Marvel's Star Wars comic in this issue.  The back cover appears to be a Kool-Aid ad.

- Marvel felt the need to take up an entire page of space to justify their change in cover format.  They sacrificed a page of ad space to say, "Look, we have slightly more artwork space now!"  The 80s were a different time...

New Mutants (Vol. 1) #5

"Heroes"
Published July 1983
Writer: Chris Claremont
Penciller: Sal Buscema
Inker: Bob McLeod
Cover: Armando Gil

What's Going On?
The New Mutants go on a trip to the town fair with Stevie Hunter, which has typical fair stuff: cotton candy, a Ferris wheel, target practice, airplane rides (?), and a peep show (?!?!).  At the fair, the kids watch Team America perform sweet-ass dirt bike stunts for the crowd.  Unfortunately, the show is interrupted by armed thugs that attack Team America, because that is the sort of thing that happens to stunt bike riders.  Not being ones to sit out a fight, the New Mutants do what they can to even the odds; they do pretty well, until the Silver Samurai steps in and kicks ass.

All this trouble leads to the appearance of the mysterious Dark Rider --- exactly as the bad guys have planned.  The Silver Samurai destroys the Dark Rider's motorcycle and captures the Rider, who turns out to be...Danielle Moonstar?!?  When Dani awakens, she finds herself in the clutches of the Silver Samurai and his evil mistress, Viper.  Apparently, Viper wants the Dark Rider and Team America to steal something for her, and if Dani can't do it, Viper will use her as a hostage to force Team America to do the deed.  Professor Xavier helps convince Team America to help Viper, as it will buy time for the X-Men to arrive and rescue Dani.  The members of Team America are mutants whose abilities are unusual; when around each other, the team are a "projecting gestalt," which possesses someone and gives them the sum talents and abilities of Team America --- the Dark Rider, in other words.  Team America are untrained, though, and their projecting gestalt possesses innocent bystanders, like Dani.  Since Team America is a dangerous loose cannon, Xavier opts to give them a crash training course in controlling their mutant power.  Meanwhile, the New Mutants decide to take their own actions to save Dani.

Sub-Plots, oh the Sub-Plots!
- Professor Xavier is still having trouble walking.  Lilandra suggests that the pain is not psychosomatic, but the idea dies there.  While Xavier is in pain, he loses his psychic powers, which means that he is not in psychic contact with the New Mutants at the fair.

Above: Xavier the pirate

That's a nice picture of Jean Grey on the wall.  I wonder where Thunderbird's picture is?

- Cannonball is frustrated with his difficulty learning to turn.  Sure, he made a successful turn last issue.  No, turning had nothing to do with the Silver Samurai beating him up in this issue.  That's just how Sam feels.  Deal with it.

Writing!
This is truly awful stuff.  It's bad enough that the New Mutants are relegated to spectator status in this issue, but to play second fiddle to Team America?  That's rough.  If you are unfamiliar with Team America, join the club.  If you're curious as to their origins, click here.  Otherwise, suffice to say that they were a toy line that Marvel was under contract to make a comic book about.  If nothing else, this issue makes two things clear.  The first is that the New Mutants was selling pretty well; normally, guest stars this early in a series would be featured prominently on the cover, to draw fans to the new title.  Instead, Team America is given the "backdoor pilot" treatment, as New Mutants fans were given an introduction to the stunt-riding group (and why bother?  The Team America comic was cancelled earlier in 1983).  The second thing made crystal clear by the inclusion of Team America is that Chris Claremont had absolutely no direction in mind when this series started.  After the initial Xavier-recruits-mutants-because-he's-possessed-by-an-alien arc wrapped, we had last issue's Very Special abuse story and now the beginning of a two-part Team America crossover!?!  It's bizarre to see this series floundering with its writing and art, especially since its sister title, Uncanny, was doing so well at the same time.


The logic in this plot is also baffling.  Viper wants to capture the Dark Rider to steal a MacGuffin.  When that fails, she just blackmails Team America to steal it.  Since her pitch to Team America is essentially "I have a hostage that I won't identify and won't give proof exists --- do my bidding," it seems like there is a wasted step there.  The end of the issue is worse.  There are two missions: save Dani and help Team America steal the MacGuffin.  Xavier choosing to train Team America instead of working to free Dani, who is in deadly danger, goes against the past year of character development; after months of mourning the X-Men, he has a new team that he wants to keep out of danger (like when he wouldn't let the X-Men borrow Wolfsbane).  Now, he is willing to spend time training a group on a time-wasting mission instead of saving one of his students?  That might have worked when he was possessed by the Brood, but not now.  Also, the entire reason Team America is going through with their mission is because they need to buy time to summon the X-Men to save Dani.  Where are the X-Men?  That is never mentioned, oddly enough.  Naturally, the New Mutants --- who did not do well against the Silver Samurai --- are going to take matters into their own hands and try to rescue Dani on their own.  After all, waiting for help might mean waiting too long and Dani may get hurt.  Xavier seems to be aware of their plan, though, and doesn't confront them about it.  Seriously, fuck this issue.

The few character moments in this issue aren't any better than the big picture.  Dani is, once again, pretty worthless in this issue.  Karma gets to be this month's example of a female character being helpless against any physical force.  Sunspot hero worships Wolf on Team America because...why the hell not?  Someone has to try and convince readers that Team America is worth talking about.  Karma does step up and lead the team at the end of the issue, so at least that's a positive development.  Still, this was wretched writing.

Art!
The art is not a whole lot better than the writing.  This is Bob McLeod's last interior work on the monthly New Mutants title (he would later do some covers and an annual), and you can tell that he did not turn in his best work.  Check out this panel from the beginning of the issue:

McLeod's softer, more expressive inking is clearly on display here.  Toward the end of the issue, though, his inking became less expressive and more like tracing:

Both panels were drawn by Sal Buscema and inked by Bob McLeod, but it is obvious that less time was spent on the second half of the issue.  I'm generally not a fan of Buscema's work, but seeing what McLeod did with Buscema's pencils (at least in part of the issue) impresses the hell out of me.  I normally don't give a second thought to inkers, unless they are extremely expressive, but McLeod did a great job here...for part of an issue.

Retrospectively Amusing:
- This is the second issue of The New Mutants that Tom Corsi has appeared in.  He doesn't really need to appear in either issue, but what's weird about this appearance is that the only characters in the extended X-Family that have a history with him are Wolverine and Carol Danvers...and yet, we haven't even been shown that they know he's alive!

- When the Silver Samurai is fighting off the New Mutants and Team America, his prowess is ridiculously overstated.  Not only does he throw a shuriken at a gun to make it explode with near-lethal force (which makes that gun seem poorly designed, to say the least), but he does something no one has ever done to Cannonball.  He swats Cannonball, mid-blast, and this actually diverts Sam's path; until now, he has been like a runaway train when blasting.  Not only does he change Cannonball's direction (something Cannonball has trouble doing on his own), but Sam is knocked unconscious --- despite being invulnerable when he uses his powers.  So...either the Silver Samurai is a total bad-ass, or Cannonball is written inconsistently. 

- Team America seems astonished to discover that they are mutants...even though they learned that in their own series.

- Team America is a group of mutants who, together, can make one superhero.  They're like a dirt bike version of Captain Planet!

Worth Noting:
- The Silver Samurai got his teleportation ring from John Belushi in an issue of Marvel Team-Up.  In case you were wondering.

Everything 80s:
Here's a photo of the Team America toy line:

For a closer examination of the ridiculous Team America story, click here.

Uncanny X-Men #168

"Professor Xavier is a Jerk!"
Published April 1983
Writer: Chris Claremont
Penciller: Paul Smith
Inker: Bob Wiacek


What's Going On?
After being demoted from the X-Men to the remedial New Mutants team, Kitty Pryde is understandably upset.  After discovering that throwing a tantrum and pouting failed to change Professor Xaver's mind about the matter, Kitty tries a number of other tactics.  In the end, though, all it took was Xavier seeing Kitty in action to change his mind.  Kitty is an X-Man once more!

Sub-Plots, oh the Sub-Plots!
- A new twist has been added to Xavier's psychosomatic walking pain sub-plot: when he tries to walk, the pain is so great that he cannot use his psychic powers.

- Lilandra plans to leave Earth with the Starjammers and try to reclaim her rightful place as ruler of the Shi'ar.  Xavier plans to remain on Earth and recruit/train more mutants.  It may be a bumpy road ahead for these lovers...

- Storm has trouble reconnecting with Mother Nature.  The narration implies that she knows the reason why, but does not spell it out for the reader.

- Cyclops and Nightcrawler visit their girlfriends, Lee Forrester and Amanda Sefton, respectively, for some Christmas romance.

- This issue begins the mystery of Madelyne Pryor.  Who is she, and why does she look and sound exactly like the late Jean Grey?

Writing!
This may be my favorite issue of this run.  There is so much going on in this issue, and yet my mind always focuses on the first page:

It's so pure, so simple, and so effective!  Kitty-centric issues are usually good, but this is probably my all-time favorite, for its blend of humor, teenage angst, and overall business.

While I think Kitty's age and what team she is on are natural fodder for stories, now that the New Mutants are around, I ultimately think this issue demeans the junior team; they don't really get out from under the "X-Babies" idea until X-Force is formed.

Art!
As per usual, Paul Smith does a good job with the action scenes in this issue.  What really makes this issue stand out, though, is how engaging the rest of the story is.  I love his take on Kitty, whether she is pouting or kicking ass.  And how awesome are his teaser panels for Lockheed?  Extreme close-ups with severe shadows rarely look this good.

Retrospectively Amusing:
- What does it take to be promoted from the New Mutants to the X-Men?  Apparently, all you have to do is kill some aliens with your space dragon.  How hard is that?

- Stevie Hunter and Illyana apparently only exist for Kitty to bounce ideas off of.  How many issues will go by before either does anything meaningful in this title?

- Kitty complains about putting on her old black-and-yellow uniform, which she hasn't worn in "ages."  For the record, she wore the damn thing in Uncanny X-Men #166. 

- It's a Christmas issue!  With an April publication date!

- For his romantic Christmas date, Nightcrawler lights some candles, pours some champagne, and puts on...his superhero uniform?  Whatever makes your lady happy, I guess.

- It appears that Xavier's mansion was rebuilt with a room specially made for Sidrian Hunter eggs.

- The last page of this issue is dedicated to some fan-created costume designs for Kitty Pryde, submitted before her code-name was changed from Sprite to Ariel.  It's not the designs that I find amusing here; it's the fact that they gave the page a title that can be abbreviated "KKK" for a Jewish character.

A+, editors.

Worth Noting:
- Wolverine leaves the country this issue for the events that took place in Wolverine (Vol. 1).

- Cyclops is now semi-retired for X-Mannery, as he plans to spend time with his newly discovered family in Alaska.

- Lockheed gets his name in this issue.  This appearance also means that he did not die on Sleazeworld.

- This issue marks the first appearance of Madelyne Pryor

Everything 80s:
The back cover has a video game ad, illustrated by Mad magazine's Jack Davis.

 Only in the 1980s would there be a video game about avoiding a nuclear meltdown.  And only in the 80s would kids have their mind blown by multi-colored squares on the screen.

Uncanny X-Men #167

"The Goldilocks Syndrome (or: 'Someone's Been Sleeping In My Head!')"
Published: March 1983
Writer: Chris Claremont
Penciller: Paul Smith
Inker: Bob Wiacek

What's Going On?
The X-Men return from space, which is good.  They believe that there is one last Brood queen egg, though, and it is incubating inside Professor Xavier; since Broodlings absorb the power of their hosts, a Brood queen with all of Xavier's power and none of his scruples would be bad news, indeed.  On their way to assassinate Xavier, the X-Men wind up fighting the newly-formed New Mutants, who are just trying to defend themselves.  Unfortunately, the X-Men are too late and Xavier begins the irreversible (except when it's not) transformation into a Brood queen.

There's so much action, even Karma's powers look dynamic!

When the X-Men finally defeat him, Cyclops claims the right to kill his father figure.  However, Xavier's personality takes control of the Brood body and begs to be killed; this somehow convinces Cyclops to spare his teacher's life.  Luckily, the Starjammers apparently returned to Earth with the X-Men, and their doctor, Sikorsky, clones Xavier a new body from cells they had lying around and transfers Xavier's brain from the Broodling to a new body.  Because of course that is an option.

With Xavier's miraculous/ludicrous recovery, the X-Men are one big happy family again, only with the New Mutants, to boot!  Except...Xavier decides that Kitty Pryde belongs with students her own age and demotes her from the X-Men to the New Mutants. ***sad trombone***

Subplots, oh the Subplots!
- This marks the end of the Brood saga, and the end of the Brood as a legitimate threat in the Marvel Universe.  They never really play a large part in any story, ever again.

- Ororo feels lonely and out of place, even among friends.  The countdown to mohawk Storm begins...

- Nightcrawler fears that the New Mutants will not accept him as a person, due to his appearance.  If that sounds familiar, it's because he had the same worries about Kitty when she joined the team.

Maybe they would like him better if he didn't give them the Three Stooges treatment

- Cyclops discusses spending time with his father, Corsair, and (indirectly) leaving the X-Men.  His first idea is to go into space with the Starjammers (which is relevant again now because of 2014's Cyclops series), but Corsair wants to visit Scott's grandparents in Alaska first.  Remember this casual decision when Mister Sinister explains his evil plans, cira Inferno.

- Lilandra makes a hollow threat toward the Fantastic Four, claiming that they will be held responsible according to Shi'ar law for the deaths caused by Galactus in the future.  Why is this a hollow threat?  First off, because Lilandra is an exiled queen with no real authority.  More importantly, though, it is because she never follows up on that, as far as I can recall.

Reed Richards, AKA: Charlie Brown, super genius

Now, I'm certainly not the expert in behind-the-scenes comic book drama, but I know John Byrne was writing Fantastic Four at this time, and he went out of his way to discredit Claremont's portrayal of Dr. Doom in an issue of Uncanny, so this might just be Claremont jabbing back at his former partner.  Regardless, can we all agree that it is weird to see Johnny Storm in his tighty whiteys running into his sister's bedroom, where she appears to be naked?

- Xavier can walk in his new body, but he has psychosomatic pain that makes it incredibly difficult.  This will be his primary subplot for the next year or two.

Fun fact: all recovering paraplegics opt for skintight spandex when they regain the ability to walk.

Writing!
I think Chris Claremont is at his best when he is tying things together, and he manages to do quite a bit of that in this issue.  The Brood saga wraps, the X-Men and New Mutants meet, a new status quo is introduced for Professor Xavier, and a logical choice is made in relegating Kitty to the junior team.  AND we have all those other subplots!  The Storm and Cyclops ones will actually turn out to be important, too!  There is a lot going on in every issue with this creative team, and it is a blast to read.

Art!
I like Paul Smith's artwork, and I think he did a great job with the action in this issue, but there must have been some miscommunication between him and Claremont for Psyche's attack against Cyclops.  Cyclops losing control would, I would think, look like he can't control where his optic beams are going.  Smith drew Cyclops as an orc.  That's not the same thing.

Retrospectively Amusing:
- The X-Men are trying to ambush Xavier, right?  Kitty even comments about how quiet she's trying to be as she approaches him.  If they want to sneak up on Xavier, why do they literally break through the walls of the building?

- What the hell is Kitty Pryde wearing?  It looks like she found some Starjammer clothes that got washed with Corsair's reds.

Everything 80s:
- When the X-Men arrive, the New Mutants are all watching Magnum, P.I.  This makes for the earliest published instance of them watching this show.  I don't know why, but the New Mutants watching Magnum was kind of like the X-Men playing baseball for Claremont; it was their pastime.

They all seem unnaturally attracted to Tom Selleck, right?

Worth Noting:
- This is the first time the New Mutants are referenced as the "New Mutants."

This issue marks the end of the Brood saga and, for all extents and purposes, the end of the Brood as a credible threat from now on.  From this point on, the Brood are frequently described as on the brink of extinction (much like the Skrulls, but without Brian Michael Bendis trying to revive them as a threat) for the next 30 years.  This is probably my favorite post-Dark Phoenix cosmic X-Men story.  Granted, there are not that many, but any time the X-Men go into space, I feel like they're out of their element.  This storyline works because it doesn't try to feel epic; it tries to feel desperate, which brings the focus down to something more approachable, something closer to the normal themes of hatred and alienation the X-Men typically deal with.

This storyline saw the exit of Dave Cockrum from the series, mid-storyline.  That was a lot more common in the 80s, but the shift from Cockrum to Smith is pretty jarring, even with the same inker.  I really enjoyed Cockrum's second run on the title.  He is definitely of his era --- there is an undeniable 70s feel to his artwork --- but he is among the all-time best creators of character and costume designs, and shaped so much of what we now accept as iconic with the X-Men.  Was this run as impressive as his first on Uncanny?  Most people would say no, and that's probably fair.  Still, this run (which is actually a little longer than his first run) had a lot of great moments; the most important of which was definitely the transformation of Magneto from a MWA-HA-HA villain to a relatable character with an emotional arc.

This storyline also marks the beginning of the X-Men as a family of titles.  Not only do we see the introduction of The New Mutants, but we also get Wolverine, the first-ever X-Men limited series.  This is truly the genesis of the X-titles as we now know them, for better or worse.