Uncanny X-Men #182

Published June 1984
"Madness"
Writer: Chris Claremont
Penciler: John Romita Jr.
Inker: Dan Green
Cover Artist: John Romita Jr.

What's Going On?
Upon returning to the X-Mansion after flying all the way from Japan, Rogue was supposed to check in on the New Mutants and Kitty Pryde.  Before she can do that, Rogue is distracted by an alarm going off in Professor Xavier's study; it is the alarm to the X-Men's emergency phone line.  Rogue listens to a message from Michael Rossi, stating that his and Xavier's suspicions have been confirmed and that he is on SHIELD's helicarrier.  The message is cut off abruptly, as if he was assaulted.  Rogue leaves to help Rossi without a second thought.

Rossi was caught trying to access SHIELD's files on Sebastian Shaw.  One of the SHIELD agents, secretly on the Hellfire Club's payroll, is instructed to kill Rossi.  Before he can do the deed, though, Rogue breaks into the helicarrier and rescues Rossi.  She then takes him to a safe location to recuperate.  There, it becomes apparent that the reason Rogue was so eager to rescue Rossi was because, after the physical exhaustion of flying halfway across the world, her mental defenses were weak, which allowed the personality of Carol Danvers to assert dominance in Rogue's body.  Michael Rossi and Carol were once lovers and colleagues, so Rogue-as-Carol tries to treat Rossi like a long-lost love.  It doesn't go well.

Sub-Plots, oh the Sub-Plots!
- The misdeeds that Illyana's phone message hinted at are the events of New Mutants (Vol. 1) #15-17.

- The White Queen's cameo sets the stage for an appearance by Sebastian Shaw in the next issue of New Mutants.

- Nick Fury has authorized deadly force to apprehend Rogue, and he wants her caught soon.  The main reason for this is because the secret Hellfire Club mole killed another SHIELD agent right before Rogue rescued Rossi, so the mole framed Rogue for the murder.

Writing!
Rogue had not really exhibited any signs of the craziness that drove her to join the X-Men since she joined the team.  This was a nice reminder of what she was dealing with as a character.  It's also a great showcase of Rogue's power set.  Granted, just about every super hero has broken into the SHIELD helicarrier at one point or another, but I thought that the concept of inflicting damage with a dollar coin was inspired.  Go figure.  Give a character a showcase issue, and you get all sorts of cool moments.

Art!
I think the highlights of this issue are the moments where Rogue's personality begins to clash with Carol's.  They are subtle moments, but I think JRJR does a good job capturing the mood.

This issue also gave Romita and Green to partake in one of their favorite hobbies: making a character ugly.  Not many artists would have made Rossi look borderline Elephant Man after a rough interrogation, but if there is a reason for a character to look lumpy, this is the art team to highlight it.

Retrospectively Amusing:
- I love how Rogue just dismisses Madelyne's worries about Cyclops.  If the X-Men were returned halfway across the globe, maybe Cyclops was dropped in an ocean or is stranded in Antarctica.  Sure, he wasn't (as we saw last issue), but I think his safe return is worth at least a fleeting bit of concern.

- The X-Men were involved in Secret Wars for about a week of Earth-time.  I like that Michael Rossi and the New Mutants apparently both left emergency messages only hours before Rogue returned to the mansion.  Good timing, right?

- Apparently, Rogue is constantly on her guard, trying to keep her personality dominant and Carol Danvers' locked away in her mind.  I say "apparently" because this is the first mention of the problem since Uncanny #171.

- Somehow, Michael Rossi giving Rogue a backhand slap across the face without the benefit of gloves does not cause her mutant power to harm him.

- This month's letter page has Storm answering the fan mail.  As luck would have it, this coincides with the mail from the debut of her new punk look.  The letters are split as to whether or not the change is good, but the more important thing to note is that there were letters written by someone named "Wolf" and someone named "Razorblade."  Edgy!

Marvel Graphic Novel #4

"The New Mutants"
Published: September 1982
Writer: Chris Claremont
Penciler: Bob McLeod
Inker: Bob McLeod

What's Going On?
As Charles Xavier mourns the passing of his former students, the X-Men (as totally not seen in Uncanny X-Men #161), new mutants are manifesting all over the globe.  As the foremost expert on mutation in the world, that means that people are coming to Chuck with their mutant problems.

• Moira MacTaggert comes across a young Rahne Sinclair as she is being chased by men with torches; Rahne apparently can turn into a wolf or a wolf-human hybrid.  
• Xi'an Coy Mahn was referred to Xavier by the Fantastic Four; Xi'an can possess and control others with a very specific psychic ability. 
• Dani Moonstar is apparently the orphaned daughter of one of Xavier's as-yet-unmentioned best friends; her specific psychic ability is to pull an image from someone's mind and present it like a hyper-real hologram.  
• Roberto DaCosta manifested in the middle of a soccer stadium that was clearly too large for a game between rival high schools; Roberto has super-strength, but apparently only in short bursts.  
• Sam Guthrie was a sixteen-year old miner, struggling to provide for his family when he was caught in a cave-in; Sam can fly fast and hit hard without injuring himself. 

Donald Pierce of the Hellfire Club is also targeting Xavier and these young mutants.  Is it because the Hellfire Club has a stated goal of gathering mutant resources and using them to become more powerful?  Er, no.  Apparently, Pierce hates mutants, despite having only appeared working closely with evil ones in his previous appearances.  His goal is to kill each of these new mutants, as soon as they manifest.  Then his goal changes to kidnapping some of them and fooling Sam to work for him as hired muscle.  Then the goal changes again to sucking the knowledge out of Xavier's head.  But then that extremely complicated process stops being the main goal, and Pierce once again decides on simple murder.  The kids work with Xavier and Moira on a globe-hopping adventure to foil Pierce's mad plan and then all enroll at Xavier's School for Gifted Youngsters as students who wear black and yellow spandex.

Subplots!

• All five new mutants join the team that has not yet been officially named.
• While this comic directly references Uncanny X-Men #161, no mention is made to the alien creature that is trying to possess Xavier's mind.
• Xi'an is hired by Xavier to help run the school.  I am pretty sure that point is never brought up again in The New Mutants comic.
• Both Xi'an and Sam have serious economic problems and extended family that they care for.  While Xavier's job offer explains how Xi'an will support her siblings (although not where they will live), Sam's problem is not resolved by the end of the comic.  He just decides to quit work and go to school.
• Donald Pierce hates mutants now.  Apparently.

The Retroactively Amusing:
- Xavier explicitly states that he does not trust Tessa.  At the time, that made perfect sense, since she was Sebastian Shaw's girl Friday.  However, Claremont did a massive retcon on Tessa when he returned to the X-titles in 2000, making her into Xavier's super-secret agent.  It's funny to see evidence of how unplanned that change was.

- It never struck me as odd before this moment, but "The New Mutants" is really a terrible name for a super-hero team.  Why not the X-Men?  The last time Xavier lost some students, he just grabbed some more and slapped the team name on them.  This time, though, he goes with a team name that simply accurately identifies them?  Lame.

- Dani Moonstar is really, really, really stereotypically American Indian here.  The character gets a lot of depth as the series goes on, but her bit in this issue can be boiled down to "Angry Injun."

Also: is that a bulge in Rahne's pants?

Points to Claremont for ethnic diversity, but writing Dani like she was in a '60s Western is pretty bad.

- Donald Pierce, a cyborg with many weapons at his disposal, uses a flintlock pistol as his back-up weapon.

Fact: you can't shoot a gun and poop standing up at the same time

I get it, the Hellfire Club likes to dress like they're from the 18th century, but really?  A flintlock?  He just shot an energy burst from his hand and is mostly robot.  Where's his ray gun?

- Mutants are popping up all over the globe.  As proof, this comic has five that manifested at roughly the same time.  Xavier agrees to re-open his school (was it even closed?) for these mutants, but stops short of looking for more mutants to help.  I guess five is his maximum class size.

The Peculiar:
Rahne's mutant ability in this comic is substantially different than how she appears after this.  Typically, she is either a wolf or a werewolf-looking thing.  Here, she has the torso of a werewolf and the hind quarters of a wolf.

Of the five new mutants, only Xi'an (Karma) and Sam (Cannonball) are given code-names.  That would be a little odd, even today, for an origin story, but in the early '80s, when character names are mentioned as often as possible...?  That was highly unusual.

Why does Xavier presume that the X-Men are dead?  They disappeared in a comic that was published in the same month as this graphic novel, and there was no indication that Xavier thought they were dead then, or even that he knew they had been kidnapped yet.

Rahne is chased by villagers carrying torches.  Where would you even find a torch in the 1980s?

Worth Noting:

• This is the first appearance of Sam Guthrie (Cannonball), Dani Moonstar (Psyche), Roberto DaCosta (Sunspot) and Rahne Sinclair (Wolfsbane).  Xi'an Coy Mahn (Karma) first appeared in Marvel Team-Up #100 (which was a Claremont/Frank Miller collaboration).
• This is the second appearance of Cole, Macon, and Reese, although they are not specifically named here.  They are the Hellfire Club guards who Wolverine tore apart during The Dark Phoenix Saga, and would later be founding members of the Reavers with Donald Pierce.

And so it begins...!  This is the moment that the X-Men stopped being a single team and became a family of titles.  While I wouldn't argue that this issue was very good (Pierce's always-changing plan and a lot of stereotypes at work), it does an okay job introducing the characters.  Xavier's school hadn't been used to teach mutants much of anything since Xavier's fake death in Uncanny X-Men #42, so I see the void this title is filling.  Does Claremont make the best use of this concept?  Time will tell.